Continuing The Brand Identity’s partnership with Antalis Creative Power, The A Paper explores the often neglected and undervalued topics within the contemporary graphic design scene. For part one, we investigate the differences between analogue and digital processes; speaking to Jesse Reed, Co-founder of Brooklyn-based design office Order and publisher Standards Manual, London-based designer and artist Sarah Boris, Parisian type designer Morgane VanTorre and Ben Haworth, co-founder of London-based creative studio Soft Power.

As a fashion trend, mix & match has been around for decades. With the rise of Instagram's fashion bloggers and their search for unique styles, mix & match has become so important that it has invaded the catwalks in recent years, right up to the latest fashion shows. Favoured by the use of social media, the trend has spread to interior design, where vintage Scandinavian furniture can be found alongside Ikea carpets. Mix & match is a joyful game of experimentation that concerns all areas related to image, whether it is that of a person or a brand. Graphic design is no exception today.

Antalis has thanked customers for their support by rewarding benefits for customers’ businesses, which also help reach sustainability objectives.

Antalis UK launches Novatech Digital Gloss and Silk papers and boards to meet the requirements of digital and HP Indigo printers.

Every year, billions of red envelopes containing crisp new banknotes are exchanged between friends, family and colleagues to celebrate the Lunar New Year. This year, the festivities will take place from 11th to 26th February, the Year of the Ox actually starting on the 12th.

The Anatomy of Creativity is a partnership between The Brand Identity and Antalis Creative Power, in which, over a series of three articles, we explore and discuss if there are specific components to creativity.

Valentine’s Day is a wonderful time of year to celebrate our love of paper. After all, it is ingrained into every aspect of our daily lives. Paper has been an essential communication medium for 2,000 years. Even in today’s digital world, paper continues to be the preferred format for readers of books, magazines and newspapers and for brand owners to communicate about their products and services in a more qualitative manner.

The Anatomy of Creativity is a partnership between The Brand Identity and Antalis Creative Power, in which over a series of three articles, we explore and discuss if there are specific components to creativity.

From road signs to computer keyboards, from the displays of household appliances to the washing labels on our clothes, pictograms surround us on a daily basis, and we often decipher them without thinking about it.

The Anatomy of Creativity is a partnership between The Brand Identity and Antalis Creative Power, in which, over a series of three articles, we explore and discuss if there are specific components to creativity.

As the festive season approaches, companies around the world are once again faced with the challenge of sending their customers a greeting card that will reflect their identity in a memorable way. This year could be, more than ever, the time to reconnect with customers, to be remembered and make an impression.

In 1926, the psychologist Graham Wallas became famous for separating the creative process into four fundamental stages: preparation, incubation, illumination and verification.
These stages are identical to the different steps that every design student will learn in school, and to what most designers and communication agencies will go through when faced with a new challenge. But how exactly do they work?